Author Archives: melissa

Grayson Perry’s Subversive and Psychosexual World

Posted on May 12, 2016 by melissa

in Hyperallergic on April 28, 2016 Grayson Perry, “Sex and Drugs and Earthenware” (1995) (detail), glazed ceramic, 54 x 24.5 cm (all photos by the author for Hyperallergic) SYDNEY — The Museum of Contemporary Art (MCA) Australia has mounted the … Continue reading →

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A New Municipal Gallery in San Francisco Keeps Its Focus on the Bay Area

Posted on February 17, 2016 by melissa

In Hyperallergic on February 12, 2016 Opening night of the new San Francisco Arts Commission (SFAC) Gallery (all photos courtesy the San Francisco Arts Commission) SAN FRANCISCO — The 1960s upset the status quo in nearly all realms of American life. … Continue reading →

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At Harlem’s First Children’s Museum, Artworks Strike Up Conversations

Posted on February 5, 2016 by melissa

 January 29, 2016 in Hyperallergic Gallery text in ‘Txt: art, language, media’ at the Sugar Hill Children’s Museum of Art & Storytelling (all photos by the author for Hyperallergic) In October 2015 the first children’s museum in Harlem opened its … Continue reading →

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The Vast Possibilities of Tiny Collage and Assemblage

Posted on January 25, 2016 by melissa

In Hyperallergic January 15, 2016 Mary Bauermeister, “Lens Box Pencil Theater” (1969), mixed-media assemblage, 6 x 6 x 4 1/2 inches (all images courtesy Pavel Zoubok Gallery, New York, unless otherwise noted) You might want to bring your reading glasses … Continue reading →

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The Calmer, Contemplative Mood of Francis Bacon’s Late Paintings

Posted on December 18, 2015 by melissa

posted in Hyperallergic December 7, 2015  “Self-Portrait” (1978), oil on canvas, 78 x 58 inches (Private Collection, © The Estate of Francis Bacon, all rights reserved / DACS, London / ARS, NY 2015 photography by Robert McKeever, courtesy Gagosian Gallery) … Continue reading →

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From Jell-O Shots to Money Scams, an Artist’s Account of Suing Her Gallery

Posted on October 23, 2015 by melissa

In Hyperallergic October 7, 2015 The triple order of lime, pineapple, and cherry Jell-O should have been a tip-off. I met my art dealer at 11:30pm on a sultry spring night at a diner on the corner of 23rd and … Continue reading →

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The Psychological Depth of Jim Shaw’s Pop Culture Dreamscapes

Posted on September 29, 2015 by melissa

September 17, 2015 In Hyperallergic Jim Shaw, “The Burning Bush” (2013) (detail), acrylic on muslin backdrop with two acrylic, muslin and plywood cut-outs (all photos by the author for Hyperallergic) NORTH ADAMS, Mass. — There’s a big, funny, emotional, and … Continue reading →

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The Raw and Stylish Designs of 20th-Century American Protest Posters

Posted on September 15, 2015 by melissa

 September 2, 2015 in Hyperallergic Three uptown cultural institutions in New York City this summer have had significant exhibitions devoted to the history of art and social activism. Taken together, they paint an arresting portrait of the role of artists … Continue reading →

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Viola Frey: Painterly Surfaces on Canvases of Clay

Posted on July 13, 2015 by melissa

in Hyperallergic     June 17, 2015 Installation view of Viola Frey, “Falling Man In Suit” (1991), ceramic, 74 x 89 x 73 inches (all photos by the author for Hyperallergic) Viola Frey, a powerful woman and rule-busting artist, has not been … Continue reading →

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A Three-Year Cinematic Journey Across 25 Countries at the Jewish Museum

Posted on June 3, 2015 by melissa

Published in Hyperallergic on May 26, 2015 Ayisha Abraham, ‘I Saw a God Dance’ (2011), video, sound, 19 min, 28 sec (courtesy the artist, all images courtesy the Jewish Museum) Tucked away in a corner of the permanent collection of … Continue reading →

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